Habi Philippine Textile Council (Habi) took a significant step to partner with Fashion Revolution Philippines (Fash Rev PH). They aim to promote sustainable and ethical fashion. They partnered for a series of engaging workshops during the Habi Market Fair. The event took place from October 18th to 20th, 2024, at the Glorietta Activity Center in Makati City. It highlighted the incredible talent of Filipino weavers. The beauty of natural textiles was also showcased. Additionally, the importance of supporting local brands was emphasized.
This partnership marked a first for Fash Rev PH. It merged their passion for ethical fashion with Habi’s dedication to preserving and promoting the heritage of Philippine textiles. The workshops were vibrant with creativity. They offered a unique opportunity for attendees to immerse themselves in the world of weaving. Additionally, they promoted sustainable practices.
The event kicked off with a captivating introduction to the art of weaving, led by Twinkle Ferraren. Participants experienced the joy of creating something with their own hands. This fostered a sense of accomplishment. It also sparked a creative fire within each attendee.
On the second day, Ili Likahaan led a mesmerizing Botanical Eco-printing workshop. Participants discovered the magic of transforming natural textiles using flowers and the rhythmic beat of hammers. This experience was not just about creating beautiful bandannas. It was a journey towards mindful crafting. It also served as a stress-relieving creative outlet.
The final day of the workshops showcased the diverse facets of textile artistry. Hiwaga Hands taught participants the art of visible mending. They used techniques like patchwork, embroidery, and sashiko. These techniques breathe new life into fabrics. Meanwhile, The Art of Yarn introduced children to the world of weaving. They used a small loom. This offered a valuable lesson in the craftsmanship and dedication of local weavers.
The workshops were a resounding success. Participants gained newfound skills. They also developed a deeper appreciation for the textiles they wear. Additionally, they established a connection to the rich heritage of Filipino weaving. This success demonstrates the power of collaboration. It highlights the growing movement towards conscious consumerism and ethical fashion in the Philippines. The success of this event is a beacon of hope. It inspires others to embrace sustainable fashion choices. It also encourages support for the talented artisans who bring these beautiful textiles to life.
On May 19th, 2024, Rizal Park Luneta transformed into a vibrant canvas of culture and eco-consciousness. The National Parks Development Committee (NPDC) joined forces with Fashion Revolution Philippines, SoFA Design Institute, and Urban Sketchers Manila to present a unique Flores de Mayo celebration: Fashionista Flores de Mayo.
This exciting event wasn’t just about religious devotion or showcasing stunning gowns. It was a beautiful fusion of tradition and environmental awareness. SoFA design students presented modern Filipiniana gowns and suits, all crafted with sustainability in mind.
The festivities began at 5:00 pm, with Urban Sketchers Manila capturing the elegance of the “Reinas” (Queens) in their one-of-a-kind attire. As the day unfolded, the Santacruzan parade filled the air with a celebratory energy, snaking its way through the Central Section of Rizal Park.
The highlight of the evening was the Santacruzan fashion show, held at the Open-Air Auditorium. Here, the public witnessed a modern interpretation of the Santacruzan tradition, where sustainable fashion took center stage.
But the sustainable fashion movement didn’t end there. From May 21st to 26th, an exhibit titled “Modern Filipin(ian)a: Reimagining Santacruzan Gowns” took place at The Gallery of Rizal Park Luneta. Visitors were invited to get a closer look at the eco-conscious gowns, sparking conversations about responsible fashion choices.
The Fashionista Flores de Mayo was a resounding success. It proved that cultural celebrations and environmental consciousness can go hand in hand, paving the way for a more sustainable future for fashion in the Philippines.
The new year is a great time to set personal goals, reflect on the changes you want to make in your life and commit to making a positive impact on your wellbeing, the environment and your community. We may not be able to solve fashion’s BIG problems on our own. But every small step matters. Whether you want to transform your own shopping habits, learn some practical skills or take part in local community action, below you can find 24 ideas for fashion resolutions to set for 2024.
Have you always wanted to make your own clothes? Now is the time to learn! Making your own clothes has many benefits; you form a connection with the item meaning you’re more likely to care for it properly and keep it for longer, you engage in slow fashion by making something to last and avoiding microtrends, and you gain a deeper understanding of how clothes are made which helps you value them more.
Want to learn more about sustainability and fashion, but aren’t sure where to start? Our free online course with Future Learn is the perfect introduction to sustainable fashion. You can enrol in the free 4 week course here.
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Basic mending skills go a long way to help you make the clothes you love last that bit longer. In our culture of disposability, repairing our clothes is a revolutionary act; say no to throw away fashion this year and learn to mend!
Do you find yourself shrinking your favourite jumper or fading your graphic t-shirts? Make a conscious effort this year to learn how to care for your clothes properly. Always read the care label before washing your clothes and take time to follow the recommendations given – your clothes will thank you for it!
Are you looking for a community of like-minded people to collectively take action with, to transform the fashion industry? Your local Fashion Revolution team is a great place to start! With teams in over 75 countries worldwide, you can connect with the movement wherever you are. Find your local country team here.
Can’t find a team in your area? Get in touch to express your interest in forming a voluntary team in your local community.
Shopping second hand is one of the best ways to reduce your environmental impact and keep pre-loved clothes in circulation for longer. Platforms like Vinted, Depop and Ebay make it easier than ever to refresh your wardrobe in a more sustainable way. This year, challenge yourself to embrace thrifting and only buy second hand items. You’ll be surprised at the hidden gems you can find in a charity shop!
Want to really make an impact in 2024? Look out for local volunteer opportunities with grassroots organisations working on the ground to improve the conditions for the people who make our clothes.
Pick up a new skill and learn to knit or crochet this year. Like sewing your own clothes, engaging with crafts like knitting and crochet helps build a closer connection to your wardrobe and makes you appreciate the time and skill that goes into making uour favourite knitwear. From jumpers, skirts and dresses to handbags, hats and scarves, the options for a new creative project are endless!
Reading more books is a common New Year’s resolution, so why not add a book on sustainable fashion to your 2024 reading list? Some recommendations from the Fashion Revolution team include:
The Anti-Capitalist Book of Fashion by Tansy Hoskins
Do you want to try and curb your consumption? Make it a habit to shop from your own wardrobe before you go out and buy anything new (or new to you!). Regularly reminding yourself of what you already own can help prevent unnecessary purchases. Get creative and experiment with what you have. Remember: the most sustainable garment is the one already in your wardrobe.
When you absolutely have to buy something brand new, prioritise longevity and invest in timeless pieces that will last a lifetime. Before clicking checkout, be honest and ask yourself if the item you’re buying aligns with your personal style or if it’s just a microtrend. Only buy something you can see yourself wearing time and time again, for years to come.
Do you often find yourself splurging on trendy new items that soon lose their sparkle and end up discarded at the back of your wardrobe? You might be impulse shopping. It’s a tricky habit to break but there are ways to manage it: Always give yourself at least 24 hours to think about a purchase before you commit to buying it and unsubscribe from brand emails to avoid marketing tactics that create a false sense of urgency.
If you really want to challenge yourself in 2024, try to avoid buying any clothes at all! Many people already own more than enough clothes, with the majority of them hardly ever being worn. WRAP found that the average UK adult has 118 items of clothing in their wardrobes – 26% of which were unworn for at least a year.
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Starting the new year with a closet audit is a great way to take stock of what you already own and bring old pieces back into circulation. Making a note of what’s hidden in your wardrobe can help you shop more consciously, ensuring new pieces pair with existing items and avoiding duplicates. If you do decide to dispose of any items, please do so responsibly.
Your clothes deserve to be worn more than once! Banish the stigma and become a proud outfit repeater. When you put together an outfit that makes you feel great, snap a photo to refer back to. Soon you’ll have a catalogue of your favourite fits and you’ll never again be left with “nothing to wear”!
Practise circular fashion principles this year and borrow clothes from your friends and family members. Next time you need a new outfit for an event or special occasion, see if your friends can lend a hand before hitting the shops. This can be especially helpful if you’re participating in a no new clothes challenge – just remember to ask first…
Continuing the theme of circular solutions, try renting! Renting clothes is a great way to experiment with new styles and impress at special occasions without breaking the bank. As renting gains popularity, there are plenty of platforms to explore, including; By Rotation, Hurr and Wear My Wardrobe Out.
Show up for the people who make our clothes by engaging with campaigns that are fighting for fair pay and better working conditions. Stand in solidarity by signing petitions, spreading the word on social media and donating to organisations on the ground.
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Engage in online activism and hold brands accountable by asking questions like #WhoMadeMyClothes and #WhatsInMyClothes. It’s bad business for brands to ignore their customers, so make your voice heard and demand better in 2024!
At Fashion Revolution we believe that change starts with a conversation. One of the simplest ways we can begin to transform the fashion system is by talking to our friends and family members about sustainable fashion. Talking about the issues you care about can help raise awareness and inspire the people in your life to take action with you.
When buying something new, take your time to discover small businesses you may not have heard of before and look for brands that are committed to sustainable, ethical production. By supporting independent businesses, you are investing in communities rather than corporations, and contributing to a fair fashion system.
On the lookout for ethical fashion brands? Good On You’s brand directory can help you make more informed choices.
Did you know that most people are washing their clothes way too often? For example, it’s recommended to wash your jeans after every 10 wears; however, the average UK consumer washes their pair after just 2.5 wears. Overwashing our clothes not only has an impact on the environment (high energy and water usage), it also impacts our clothes too by wearing down the fabric too quickly and reducing their lifespan.
Fancy dress and flashy festival clothes are lots of fun, but unfortunately most of these garments are made of polyester and are destined to end up in landfill after the main event. Before buying something you expect you’ll only wear once, try and think of a sustainable alternative; could you find this item secondhand? Maybe a friend has something similar you could borrow? Can you make do with what you already own?
Join over 15,000 other fashion revolutionaries as we collectively fight for a fair, safe, clean, transparent and accountable fashion industry in 2024 and beyond. Start the new year by committing to our vision of a fashion industry that values people and planet over profit by signing our Manifesto.
Header photo by Tim Mossholder on Unsplash
Míg a divatbemutatók önmagukban az iparág környezeti hatásának csak egy kis töredékét teszik ki, Rachel Arthur szerint a divatbemutatók a bolygót károsító túlfogyasztást tápláló marketinggépezet középpontjában állnak.
Racher Arthur tanácsadó, író és az ENSZ Környezetvédelmi Programjának fenntartható divatért felelős vezetője és az ő cikkét adjuk közre magyar fordításban.
Az elmúlt hetekben a divatszakma visszaáramlott Párizsból, a luxusipar kétévente megrendezésre kerülő női divathét utolsó és legpompásabb állomásáról.
Vásárlók, hírességek és influencerek százai repültek oda benzinfaló repülőjáratokon, hogy egy pillanatra bepillantást nyerjenek az új kollekciókba, amelyeket gondosan megmunkáltak egy olyan elavuláshoz, amely azt jelenti, hogy mindenki hajlandó lesz újra repülőre ülni, és hat hónap múlva újra megismételni az egészet.
Az biztos, hogy az ezekkel a nagyszabású marketing pillanatokkal közvetlenül összefüggő kibocsátások és hulladékok csepp a tengerben az iparág teljes lábnyomához képest. Az évek során a márkák és a divattanácsok erőfeszítéseket tettek mindkettő csökkentésére.
A bemutatók közvetlen hatására való kizárólagos összpontosítás azonban figyelmen kívül hagyja a nagyobb képet: a divat negatív környezeti és társadalmi hatásának középpontjában a túltermelés és a túlfogyasztás áll. És mit tesznek a divathetek, ha nem mindkettőt táplálják? Vegyük csak a közelmúltbeli New York-i, londoni, milánói és párizsi rendezvények sorát, nem is beszélve a gyakran túlzó módon megrendezett és elő-őszi kollekciókról – minden egyes bemutató beindít egy marketinggépezetet, amelynek célja az új termékek vásárlásának ösztönzése. Az események által inspirált trendek, az általuk biztosított médiaérték és végső soron a vásárlás, amelyre mindezek ösztönöznek, táplálják a környezeti hatásukat.
Ez a divatbemutatók úgynevezett “agylenyomata”: a kifutón való megjelenésnek a fogyasztásra gyakorolt hatása.
“Ha a lábnyomod a működésedet írja le, akkor az agynyomod azt írja le, hogy az embereket milyen érzésekkel töltöd el. Ez az Ön kulturális lenyomata” – mondta Lucy Shea, a Futerra változási ügynökség csoport vezérigazgatója.
A divatbemutatókra költött milliók nem csak a kifutó kollekciók értékesítését mozdítják elő, hanem a szomszédos és könnyebben hozzáférhető termékek – a táskáktól az illatokig – sokkal szélesebb körű fogyasztását ösztönzik, valamint a tömegpiaci másolatok iránti keresletet is.
A reklámipar felismerte ezt a dinamikát. A Purpose Disruptors, egy korábbi reklámszakemberekből álló szervezet, amelynek célja az éghajlatváltozás katalizálása, bevezette a reklámozott kibocsátás fogalmát, amely a kampányok által generált forgalomnövekedés mérésére utal. Ez azt mutatja, hogy a reklámok 32 százalékkal növelik az Egyesült Királyságban minden egyes ember éves szén-dioxid-kibocsátását.
Talán szükségünk lenne egy ezzel egyenértékű elszámolási folyamatra a divatmarketing számára. Nevezzük el “trendkibocsátásnak” – egy olyan mód, amellyel mérhető a luxus imázsépítés által vezérelt fogyasztás hatása.
Ez azért fontos, mert a divat csak akkor fogja elérni fenntarthatósági céljait, ha csökkenti az eladott termékek mennyiségét. De a luxus agynyomása – a divatbemutatóktól kezdve a szerkesztőségi fotózásokig, reklámkampányokig és influencer posztokig, amelyeket elősegítenek – jelenleg az ellenkezőjére ösztönöz, arra buzdítva a vásárlókat, hogy vásároljanak a villámgyorsan változó trendeknek
Ezt az ENSZ Környezetvédelmi Programja és az ENSZ Éghajlatváltozással foglalkozó szervezete a Fenntartható divatkommunikációs útmutatóban (Sustainable Fashion Communication Playbook) https://www.unep.org/interactives/sustainable-fashion-communication-playbook/ állapította meg. Ez egy felhívás a túlzott fogyasztás üzeneteinek felszámolására, beleértve a hagyományos divatbemutatókat is, és ehelyett a fenntartható fogyasztás irányába kell terelni az erőfeszítéseket.
Ennek nem kell a divathetek halálát jelentenie – ahogyan a fenntartható divatágazat sem követeli meg a divat teljes megszűnését. De mindkettő radikális változást igényel.
Az olyan bemutatók, ahol milliókat költenek a gazdagság pillanatnyi és extravagáns fitogtatására (mindezt azért, hogy a kapcsolódó márka- és médiaértékből további milliókat nyerjenek vissza), nem aktuálisak egy olyan időszakban, amikor iparágként hozzájárulunk a bolygórendszerek eróziójához, amelyektől a túlélésünk függ, és eközben emberek millióit sújtjuk, főként a fejlődő országokban.
Ez áll a középpontjában annak, hogy Amy Powney, a fenntarthatóságra összpontosító Mother of Pearl luxusmárka kreatív igazgatója miért nem tart többé divatbemutatókat.
“Az éghajlati összeomlás idején ez durvának és szükségtelennek tűnt” – mondta. Ehelyett arra kellene használnunk az ilyen alkalmakat, hogy támogassuk és ünnepeljük azokat, akik megmutatják, hogy másképp is lehet.
A koppenhágai divathét az alternatív megközelítés egyik példája: A tervezőknek 2023-tól 18 konkrét fenntarthatósági követelménynek kell megfelelniük ahhoz, hogy bemutatót tarthassanak. Többek között nem szabad megsemmisíteniük a korábbi kollekciók eladatlan ruháit, a bemutatott ruhák legalább felének jobb anyagokból kell készülnie, és a márkáknak vállalniuk kell, hogy platformjaikat a vásárlók oktatására és tájékoztatására használják a fenntarthatósági gyakorlatukról. Bár van még hova fejlődni, más nagyvárosokkal összehasonlítva ez egy nagy nyilatkozat.
Most azokra van szükségünk, akik ismét nagyobb léptékben gondolkodnak arról, hogyan mutassuk be a divattal való kapcsolat új módjait. Végül is ez már nem a fokozatos változás ideje. Az átalakulást fel kell turbózni, új rendszereket és üzleti modelleket kell kifejleszteni – olyanokat, amelyek nem arra épülnek, hogy egyszerűen egyre több és több új dolgot adnak el, és nem gondolnak az emberekre, a bolygóra, sőt a profitra gyakorolt hosszú távú hatásokra. A divatbemutatók újragondolása ennek része.
A divat maga is felismerte a változás szükségességét. A világjárvány idején az iparágon belül egyre többen kérték, hogy reformálják meg a divathetek könyörtelen forgását, ami a független tervezők számára pénzügyileg bénító lehet.
Ahelyett, hogy a platformok egy elavult, elromlott rendszert táplálnának, a divatheteknek lehetőséget kellene adniuk egy új rendszer elképzelésére. A márkáknak arra kellene használniuk őket, hogy rávilágítsanak a megoldásokra, valamint hogy felemeljék és ösztönözzék a tudatos fogyasztás körüli törekvéseket. Erre már vannak példák. Az idei szezonban Párizsban Stella McCartney a kifutón tartott bemutatóját az alacsonyabb környezeti terhelésű anyaginnovációk piacával egészítette ki. New Yorkban Maria McManus tervező a bemutató végeztével a közönséggel együtt végigvezette, hogyan készültek az egyes darabok a fenntarthatóság jegyében.
Ünnepeljük azokat is, akik a körforgásos megoldásokat helyezik előtérbe; azokat, akik a hulladékot erőforrássá alakítják, és arra ösztönzik a fogyasztókat, hogy szeressenek bele az olyan fogalmakba, mint a használt és újrahasznosított divat. Egy párizsi divathét csereboltja, amelyben a szokásos első soros versenyzők is részt vennének, nem csak hatalmas nyilatkozat lenne, hanem talán az egyik legnagyszerűbb divatbemutató, amelyet a mai divatipar valaha is látott.
Itt van egy kreatív lehetőség arra, hogy az ember használja az agylenyomat erejét, és új utat kovácsoljon. Bár a kreativitást nem szabad korlátozni, azt feltétlenül át kell irányítani.
Did you miss some of the events that we got involved in this month? Not to worry, here is what we did early this October.
Fashion Revolution Philippines (FashRevPH) marked the World Circular Textile Day with a series of events. World Circular Textile Day is celebrated each year on October 8 but one day was not enough for this year 2023.
FashRevPH joins an exhibit and bazaar at Eastwood Plaza in Quezon City with WearForward and Restore. The event featured a well-curated selection of sustainable fashion brands, a clothing swap party with free consultation on sustainable fashion practices, and a showcase of upcycled pieces from Jan Paul Martinez, a local fashion designer. This activity ran from October 6 to October 10.
Tere Arigo, FashRevPH Country Coordinator, facilitated the virtual panel discussion titled “Closing the Loop: Navigating the Challenges and Opportunities in Textile Waste.” Top industry figures from diverse backgrounds joins the panel discussion. The panel started off with FashRevPH spokesperson Prince Jimdel Ventura of WearForward followed by Noreen Baustista the co-founder of Panublix, joined with her is a fashion educator and sustainable designer Irene Subang, with a professional wardrobe stylist and author of Always Be Chic Miss KC Leyco and lastly Lester Dellosa an environment activist who is also the founder and creative director of CICCADA.
The time for discussion of environmental and economic challenges posed by textile wastes in the Philippines was not enough. It included the innovative solutions that can transform these issues into opportunities for circular fashion materials, processes, business models, products, services, and consumption were too broad to talk about in just an hour.
FashRevPH collaborated with MakeSense Philippines in a Capacity Building Workshop on Textile Circularity on October 13, 2023. The workshop was held at BSA Twin Towers in Ortigas Center, Mandaluyong City.
FashRevPH participated in the workshop to talk about local textiles and sustainable fashion with Mr Ventura as part of the panel in the first part of the program. The organization guided the design of one of MakeSense’s capacity-building workshops in partnership with the United Nations Development Programme (UNDP).
FashRevPH is committed to promoting sustainable fashion in the Philippines. The organization works to educate consumers about the impact of their fashion choices and to encourage them to support a more sustainable approach.
Manila, Philippines – The Fashion Revolution Philippines commemorates the victims of the Rana Plaza factory collapse in Bangladesh, in alignment with the Fashion Revolution week held globally. The Rana Plaza factory collapse killed 1,138 textile workers and injured more people became an eye-opener to the world on 24 April 2013. The incident drove the Fashion Revolution movement to push for labor rights transparency and sustainability in the fashion world.
The Fashion Revolution Philippines’ first in-person event held for two days since the pandemic started. The two-day event happened in Moda Laya in commemoration of the 10 anniversary after Rana Plaza disaster. Attendees participated in activities such as clothes swapping, panel discussion with the experts and the screen showing of two documentary films.
The “Se Abrió Paca,” a film made by the Fashion Revolution Guatemala, gave a heartfelt discussion among its viewers just after it was shown with the “True Costs” documentary and the power outage on the first day. Activities on the next day went well with the clothes swapping and panel discussion. Prince Ventura leads the panel discussion with Bianca Gregorio, owner of Moda Laya and founder of Re-clothing, Irene Subang, sustainable fashion designer and educator, and Jamie Naval, founder and CEO of Twenty Kids and Barrio Studios. Our guest experts discussed that the society today needs to focus on the importance of sustainable practices and a circular wardrobe.
Fashion Revolution Week is our annual campaign bringing together the world’s largest fashion activism movement for seven days of action. It centres around the anniversary of the Rana Plaza factory collapse, which killed around 1,138 people and injured many more on 24 April 2013.
This year, as we marked the tenth anniversary of the Rana Plaza factory collapse, we remembered the victims, survivors and families affected by this preventable tragedy and continue to demand that no one dies for our fashion. To define the next decade of change, we translated our 10-point Manifesto into action for a safe, just and transparent global fashion industry. Our campaign platformed the work of our diverse Global Network who provided local interpretations of their chosen Manifesto point(s). We believe that while fashion has a colossal negative impact, it also has the power and the potential to be a force for change. Together, we expanded the horizons of what fashion could – and should – be.
Here, catch up on some of the week’s highlights and find out how to stay involved with our work, all year round.
Fashion Revolution Week happens every year in the week coinciding with April 24th, the anniversary of the Rana Plaza disaster. On April 24th 2013, the Rana Plaza factory building in Bangladesh collapsed in a preventable tragedy. More than 1,100 people died and another 2,500 were injured, making it the fourth largest industrial disaster in history. On April 24th, we paused all other campaigning to pay our respects to the victims, survivors and families affected by this tragedy, and came together as a global community to remember Rana Plaza.
As we reflect a decade on, we are inspired by and celebrate the progress made in the Bangladesh Ready-made Garment (RMG) sector by the Accord. The International Accord on Fire and Building Safety was the first legally-binding brand agreement on worker health and safety in the fashion industry and is the most important agreement to keep garment workers safe to date. This year, we pay tribute to the joint efforts of all Accord stakeholders who have significantly contributed to safer workplaces for over 2 million garment factory workers in Bangladesh, including the Bangladeshi trade unions representing garment workers, alongside Global Union Federations and labour rights groups. We welcome the introduction of the Pakistan Accord and would like to see the adoption and success of the International Accord replicated in all garment producing countries.
Our theme for Fashion Revolution Week 2023 was Manifesto for a Fashion Revolution. Back in 2018, we created a 10-point Manifesto that solidifies our vision to a global fashion industry that conserves and restores the environment and values people over growth and profit. This year we called on citizens, brands and makers alike to sign their name in support of turning these demands into a reality, boosting our signature count to 15,500 Fashion Revolutionaries and counting. We are immensely grateful to everyone who has and continues to sign; our power is in our number and each signature strengthens our collective call to revolutionise the fashion industry.
To campaign for systemic change in the fashion industry, we themed the week around complementary Manifesto points, providing ways to be curious, find out and do something daily around each of them. From supply chain transparency to living wages, textile waste to cultural appropriation, freedom of association to biodiversity, we shared global perspectives and solutions to fashion’s most pressing social and environmental problems.
Over the past ten years, the noise around sustainable fashion has only got louder. But meanwhile, real progress is too slow in the context of the climate crisis and rising social injustice. That’s why Fashion Revolution Week 2023 was an action-packed and future-focused campaign that amplified the actions and perspectives of Fashion Revolutionaries around the world.
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To capture these global perspectives, we launched the Fashion Revolution Map on Earth Day, which coincided with the start of Fashion Revolution Week. Developed by Talk Climate Change, the Map served as a global forum to reflect on the week’s themes and events, using our Manifesto as a talking point. Fashion Revolutionaries continued the discussion offline by inviting their family, friends, colleagues and classmates to imagine what a clean, safe, fair, transparent and accountable fashion industry would look like with us. These conversations were then recorded on the Map as a source of inspiration and knowledge exchange.
Anyone can be a Fashion Revolutionary; it starts with a simple dialogue about the changes you want to see in the fashion industry. Make your voice heard by contributing to our map today and help change the fashion industry through the power of conversation!
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Ten years on from Rana Plaza, poverty wages remain endemic to the global garment industry. Most of the people who make our clothes still earn poverty wages while fashion brands continue to turn huge profits. At Fashion Revolution, we believe there is no sustainable fashion without fair pay which is why we launched Good Clothes, Fair Pay as part of a wider coalition last July. The Good Clothes Fair Pay campaign demands living wage legislation at EU level for garment workers worldwide, building on Manifesto points 1 and 2.
During Fashion Revolution Week, our EU teams coordinated awareness events, campaigns and marches to mobilise signatures for this campaign. On April 25th, we headed to the European Parliament with Fashion Revolution Belgium to demand better legislation in the fashion industry. The day of action consisted of a panel discussion between Members of the European Parliament and impacted fashion stakeholders, and ended with a stunt outside the Parliament. Fashionably Late highlighted that the EU is running out of time to act on poverty wages in fashion. This stunt was replicated by our teams in Germany, France and the Netherlands throughout Fashion Revolution Week to demonstrate EU-wide solidarity with the people who make our clothes.
We have less than three months left to collect 1 million signatures from EU citizens to push for legislation that requires companies to conduct living wage due diligence in their supply chains, irrespective of where their clothes are made. If you are an EU citizen, sign your name here. If you’re unable to sign, please support the campaign by sharing it far and wide online.
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Fashion Revolution Open Studios is Fashion Revolution’s showcasing and mentoring initiative since 2017. Through exhibitions, presentations, talks, and workshops with emerging designers, established trailblazers and major players, we celebrate the people, products and processes behind our clothes.
This Fashion Revolution Week, Fashion Revolution Open Studios joined forces with Small but Perfect to spotlight the work of 28 European SMEs taking part in their circularity accelerator project. Forming part of this European events programme, Fashion Revolution Open Studios held a two-day event in partnership with The Sustainable Angle and xyz.exchange at The Lab E20. The event showcased seven innovative designers from the Small But Perfect cohort of sustainable SMEs and displayed how they are embedding circular solutions into their work, from crafting grape leather handbags to developing community approaches to making and working together. Alongside the exhibition, there were livestreamed webinars, workshops and panel discussions to explore the projects and hear about some of the the challenges facing small businesses and the industry at large in switching to circular business models.
With 75+ teams from all around the world, Fashion Revolution Week 2023 championed the perspectives and contributions of our Global Network. Here are just a small selection of highlights from our country teams:
Fashion Revolution New Zealand unpacked each Manifesto point with industry trailblazers in an Instagram Live series.
Fashion Revolution teams in Bangladesh and Sweden co-organised a virtual panel discussion on shifting consumer behaviour.
Fashion Revolution Singapore celebrated the launch of their digital zine MANIFESTO.
Fashion Revolution teams in Iran and Germany collaborated on Women, Life, Freedom, a joint exhibition.
Fashion Revolution Nigeria shared the stories and journeys of local slow fashion brands.
Fashion Revolution Argentina invited us to join their Wikipedia edit-a-thon.
Fashion Revolution teams in Vietnam, South Africa and Scotland hosted local community clothing swaps.
Fashion Revolution India won the Elle Sustainability Award for Eco-Innovation in Fashion.
Fashion Revolution Uganda brought together the country’s top designers and brands at Kwetu Kwanza.
Fashion Revolution teams in UAE and Canada both held local design competitions for students.
Fashion Revolution Hungary championed the revival of traditional folklore practices in clothing and fashion.
Fashion Revolution USA discussed the fashion industry’s impact on people and planet in a 2-part Zoom series.
Fashion Revolution Uruguay hosted Fashion Celebrates Life, a community picnic themed around Manifesto point 10.
Fashion Revolution teams in Chile and Portugal shared their Fashion Revolution Week highlights with us on Instagram Live.
We are so grateful to everyone in our community for getting involved in Fashion Revolution Week on social media and beyond. Every single voice makes a difference in our fight for a fashion industry that conserves and restores the environment and values people over growth and profit.
While Fashion Revolution Week 2023 may be over, our community, our campaigning and our movement continues, 365 days a year. Please join us in fighting for systemic change by:
Following us on social media: Stay up-to-date by following us on Instagram, Facebook, Twitter, TikTok, LinkedIn and YouTube, and signing up to our weekly newsletter.
Finding your country team: Connect with the teams in your region by following them online, attending their events and volunteering with them. Find your country team here.
Using our online resources: Our website is a treasure trove of information, from how to guides and online courses to annual reporting on transparency on the fashion industry. Get started here.
From all of us in the Fashion Revolution team, we appreciate your support and we look forward to seeing you next year!
Artículo redactado por Nora Sesmero Andrés, voluntaria de Fashion Revolution.
Humana Fundación Pueblo para Pueblo es una organización sin ánimo de lucro que se encarga del reciclaje del textil en España. Los ciudadanos españoles nos desprendemos al año de 1’2 millones de toneladas de ropa, y eso tiene un gran impacto en el medioambiente.
Si por algo destaca Humana es por ser una organización transparente. En su web podemos encontrar toda la información trazada para que el ciudadano de a pie conozca cómo trabajan.
Esta fundación se dedica a reinsertar en el ciclo de vida las prendas de las que los consumidores nos desprendemos, aunque no dan abasto. De las 1’2 millones de toneladas de prendas que los ciudadanos españoles desechan al año, actualmente solo se recicla un 10%. Otros proyectos en España como Moda re- se dedican también a esta labor.
Humana tiene 5200 contenedores de donación de ropa repartidos por España, promoviendo que los consumidores donemos nuestra ropa cuando creamos que realmente ya no la podemos vestir, aprovechando todo su potencial. En sus plantas de reciclaje de Madrid y Barcelona, donde se puede acudir para conocer cómo trabajan, se observan pilas y pilas de sacas de ropa prensada. Algunas de esas sacas pesan alrededor de unos 400kg.
Cuando los ciudadanos dejan sus bolsas de ropa en los contenedores de Humana, estas se transportan a sus plantas de reciclaje y mediante un proceso rápido y efectivo se clasifican según su estado para dotarlas de un nuevo uso. Un 90% de estas son destinadas a la venta de segunda mano tanto en España como en los países donde realizan sus programas sociales.
De esta manera, tratan de fomentar la moda de segunda mano, a partir de la venta de ropa en sus tiendas, donde según muchos de sus clientes, podemos encontrar prendas completamente nuevas. Esto demuestra la mala educación que tiene el consumidor de moda a día de hoy. Por ello, creen que es importante educar a este en la sensibilización, que seamos conscientes del impacto que tienen nuestras compras. “Dado que las calidades de la moda rápida son pésimas, las prendas que se reciclan también son cada vez de peor calidad”, afirma el responsable de comunicación de Humana, Rubén González. La solución pasaría por dejar de consumir este tipo de moda y comenzar a invertir en prendas de calidad.
Parte de los beneficios que esta fundación produce se destinan a realizar proyectos sociales en países del sur, relacionados con la educación, la salud, la agricultura, el cambio climático, el desarrollo comunitario, etc. En países como China, Ecuador, Laos, Malawi, Mozambique, Namibia, Senegal, Zambia y España. En 2020, sus proyectos de cooperación involucraron a cerca de 125.000 personas.
Algunos de los proyectos de educación se encargan de formar a profesores de primaria en el entorno rural, ya que defienden que los profesores bien formados, motivados y comprometidos son la mejor palanca para hacer avanzar la educación. Impulsan la agricultura urbana, ecológica y sostenible, además del desarrollo rural. En el ámbito de la salud, tratan de educar a las personas para prevenir el VIH. En 2021 se ha profundizado en el fortalecimiento de los programas relacionados con cambio climático y del trabajo junto a socios especializados. Esta labor contra las consecuencias del calentamiento global tuvo su prolongación en la COP26 de Glasgow, en la que Humana participó para compartir la experiencia acumulada mediante los programas Farmers Club, establecer lazos con otras entidades y detectar oportunidades para seguir promoviendo acciones en favor de la adaptación y la mitigación de las consecuencias del cambio climático.
Humana ha convertido un oficio antiguo, el de los traperos, en una manera de hacer que la moda sea circular y financiar con ello distintos proyectos sociales.
A partir de 2025, el reciclaje de ropa será obligatorio en la Unión Europea. Esto produce una sensación de esperanza, ya que será menos probable que encontremos imágenes como la del mercado de Kantamanto, en Ghana. Es importante poner el foco en lo que aún queda por mejorar, y la reducción de la producción y el consumo son claves para hacer que la industria de la moda de un salto hacia la sostenibilidad.
Otra de las tareas pendientes consiste en que las prendas que se produzcan sean de un solo material. Debido a que reciclar ropa de diferentes composiciones es un trabajo complejo y caro.
La organización trabaja en el fortalecimiento de iniciativas de I+D+i para prolongar el ciclo de vida del textil y el calzado y, al mismo tiempo, multiplicar sus posibilidades de reaprovechamiento, en el marco de la economía circular y la jerarquía de residuos. Por ello, más allá de la preparación para la reutilización, la Fundación colabora en España con diferentes asociados en el impulso de proyectos de diversa naturaleza, desarrollando de modo conjunto soluciones concretas en aras de impulsar una mayor circularidad en la gestión del textil usado. Como su participación como miembros impulsores del Pacte per a la Moda Circular de Cataluña o su reciente adhesión al Consejo Asesor del proyecto Life Kanna Green, nacido para proponer y definir un nuevo modelo de consumo y economía circular para el calzado, basado en los principios del ‘Cradle to cradle’, donde nada es un residuo.
Otros de los objetivos de Humana son: conseguir abarcar más cantidad de ropa para poder reciclarla, optimizar sus procesos de reciclaje, ampliar el número de tiendas, generar empleo, avanzar con sus proyectos sociales, trabajar con otras empresas del sector de la reutilización, ayuntamientos, etc. Su mensaje es positivo, creen que vamos hacia una moda sostenible, mucho más regulada e inteligente.
Si quieres leer el anterior artículo de la autora, pulsa aquí.
Sustainable Fashion Week is redefining fashion week, challenging overconsumption and empowering and equipping people to have a more sustainable relationship with fashion.
The people behind the campaign, Amelia Twine and Amber Rochette, strive for a more accessible sustainable fashion movement; one that shares skills and knowledge to drive social change in local communities. With this in mind, Sustainable Fashion Week was built around four key themes: rewear, repurpose, regenerate and reconnect, with calls to action for each. While each theme is vital to the SFW movement, Amelia argues that we have to start with Reconnect; we must reconnect to the way our clothes are made, and to our relationship with our clothes.
– Amelia Twine
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Sustainable Fashion Week 2022 kicked off this weekend with the SFW Hub; taking over the iconic Bristol Beacon, an incredible line-up of industry speakers explored what sustainability in fashion means, hosted skills workshops and collectively celebrated the joy of clothing.
From greenwashing to a fashion-fuelled health crisis, the Hub explored the production of clothing from seed to highstreet and gave an insight into what changes must be made in order to revolutionise the fashion industry. Author of The Anti-Capitalist Book of Fashion, Tansy E. Hoskins unravelled the threads of the capitalist industry to reveal the truth about our clothes, while Fashion Roundtable and Tamara Cincik examined transparency and the role of government in systemic change, and Fashion Revolution’s Delphine Williot also made an appearance, for the panel discussion People: Seeing the Human Story. Hosted by Sustainably Influenced and with other speakers from Good On You and Labour Behind the Label, the panel dissected our disconnect from the people in “people and planet” and the ways sustainability conversations often forget who made our clothes. Delphine also shared our Good Clothes, Fair Pay campaign that is demanding living wage legislation across the garment and textile industry, and making sure the people who make our clothes are not forgotten.
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– Amber Rochette
Amelia describes Sustainable Fashion Week as a ‘community to community’ organisation that celebrates the essential life skill that is sewing. With this message at its core, this year’s flagship event intends to generate action, from the ground up, that supports a change in our relationship with fashion.
Alongside the Hub and SFW Catwalk show, throughout the week community events are popping up across the UK and around the world, including clothes swaps, mending circles, skills workshops, fashion shows and street stitching. There is something for everyone but if you’re unable to attend in person, there are loads of online events you can explore.
Sustainable Fashion Week is taking place from the 16th – 25th September 2022 in Bristol, around the UK and online. For further details and to book events, visit www.sustainablefashionweek.uk/whats-on
How to take part in Secondhand September
Can we mend our relationship with repairing clothes?
During the month of September, the Secondhand September campaign puts pre-loved clothing in the spotlight, as people pledge to only buy secondhand clothing for the duration of the month. The pledge was started by Oxfam, who wanted people to rethink the month that’s usually associated with Fashion Week and encourage them to shop second-hand rather than the latest trends for the approaching Autumn/Winter season.
Shopping secondhand is a practice that has been around for centuries; once confined to local charity shops and resale merchants, thrifting was practiced predominantly by lower-income families who sourced good quality, low cost items that would last. Over time, buying second-hand clothing has gone in and out of style, with peaks including the anti-fashion punk movement of the 1970’s and the rise of alternative style in the 1990’s. Recently, pre-loved clothing has gained popularity as people strive to consume more consciously and embrace the slow fashion movement, with e-commerce platforms like Depop, Vinted and Ebay making it easier than ever to find high quality pieces at a lower price point.
There are many benefits of shopping second-hand, that are good for both your purse and the planet. By resisting temptation to impulsively stock up on new arrivals and instead opting for pre-loved items, you are not only saving money, but building a deeper relationship with fashion. When you’re no longer chasing the latest must-have items, you can break free from the trend cycle and begin to cultivate your own personal style, which is the key to reducing overconsumption.
Overproduction, overconsumption and waste continues to be a growing challenge caused by the fashion industry’s ‘take, make, dispose’ model where mostly non-renewable materials are extracted, made into products, and ultimately either sent to landfill or incinerated when no longer used. While it is estimated that 100 billion products are made each year, the 2022 Fashion Transparency Index found that just 15% of brands disclose data on the quantity of products made annually, leaving us with no way of understanding the scale of the situation, let alone how to tackle it. And despite many brands championing circular solutions and use of recycled materials, the Index found that only 4% of brands disclose the percentage of products designed to enable closed loop or textile to textile recycling.
Globally, an estimated 92 million tonnes of textiles waste is created each year and, in the UK alone, of the 300,000 tonnes of clothing donated to charity annually, 80% goes to waste. The rise of fast fashion has made overconsumption and disposable clothing our new normal, but we as consumers have the power to change this. By extending the life of garments you can challenge the idea of throwaway fashion, and save clothes from landfill or incineration.
To take part in Secondhand September, first you can pledge to not buy any new clothes for the whole month; you can do this on social media with #SecondhandSeptember and join a network of conscious individuals, which will help keep you inspired and motivated throughout the month. Alternatively, you can write it down and keep it somewhere you’ll see it; on your mirror, by your bed, or even in your purse!
Once you have committed to the challenge you can only buy items that are pre-loved, but there is no shortage of beautiful, second-hand items ready to be cherished. When you first start shopping secondhand, it can be really overwhelming and hard to know where to start. So we’ve compiled a list of advice and tips that you can refer back to this month:
It’s important to remember, however, that during Secondhand September, what we’re really challenging is overconsumption. But there are many ways you can take part that don’t revolve around shopping. You could attend or host a clothes swap, exchanging your old clothes with your friends or your community to refresh your wardrobes without spending a penny. You can revisit your own wardrobe and fall back in love with your existing pieces, and rethink your personal style by reflecting on your relationship with fashion and the trend cycle. And most importantly, you can learn how to care for your clothes properly, to ensure they will last for years to come. Remember, the most sustainable item of clothing is the one already in your wardrobe.
Learning how to properly care for your clothes is one of the most important things you can do, as it keeps clothing in use for as long as possible. By taking the time to learn about your clothes and how to keep them looking their best, you are investing in your wardrobe and reducing your need for new clothes.
If you’d like to find out more about caring for your clothes, check out our Loved Clothes Last zine. We also have a Pinterest board full of care tips, sewing tutorials, and DIY inspiration for you to explore.
Sustainable style experts share their #SecondhandSeptember clothing love stories
Solving the secondhand sizing conundrum
How less can be more for yourself, the planet, and the people around you
Our relationship with our clothes is broken. Just a few decades ago, clothing was priced in a way that reflected its true value, garments were designed to last, and the person who bought the garment was implicit in this longevity. However, with cheap clothing now abundantly available, fashion has become disposable and waste is prevalent in every part of the industry, as a result of overproduction, overconsumption and problematic end-of-life solutions.
The world now consumes about 80 billion new pieces of clothing every year. This is 400% more than the amount we consumed just two decades ago. Trend cycles used to last roughly 20 years, meaning that clothing produced was made with intention and people invested in staple pieces, but now that cycle can be as short as a few months. Modern clothing just isn’t built to last; the fast fashion business model and micro-trends drive constant change, resulting in the mindless consumption of cheap, poor quality clothing that sometimes seems easier to throw away and replace than it is to repair.
The perceived value of clothing is only one of the reasons why we are so reluctant to make do and mend. A lack of sewing and textile education, in school or at home, is leading to the loss of traditional skills that are essential to clothing longevity. According to a survey by British Heart Foundation, around 57% of Brits said that sewing is a skill that is being lost in today’s generation, and a third of people surveyed revealed that they were never even taught how to sew. Additionally, a study by the University of Missouri-Columbia found that, as an increasing number of schools drop home economics classes due to budget cuts or changes in educational priorities, many high school students are left without basic sewing skills. This lack of education combined with cheap, disposable clothing has left us without the desire or skills to really make our clothes last.
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Although today people are less inclined to repair their clothes, mending is an ancient practice with a rich history that has been around for over 2000 years. An Egyptian children’s tunic in the Whitworth Gallery’s collection in Manchester is dated to 600-700 BC. It’s extensively darned with coloured wool threads making it one of the oldest pieces of evidence we have that humans have been darning for thousands of years. Boro in Japan creates new fabrics from fabric scraps and old clothes and in India, Rafoogari, the traditional art of darning, has been used for centuries to repair damages in textiles, preserving old clothes and giving them a new life.
Many clothes in museum collections show marks of alterations – either for different fashions and styles, for different wearers or for changes in bodies over time. The article Lessons in Reuse From… French Couture? by Elizabeth Block, reveals that in the 19th Century, wealthy women would spend thousands on couture dresses and maximised their investment by reworking them and wearing them for years. This practice reflected the value placed on these luxurious fabrics and was undertaken by upper-class women, actresses and royals. While this meant that fewer of the original garments survived, it is interesting to see how women kept up with current trends while being resourceful. Rather than being relegated to a trunk in the attic, these gowns were given new life over the decades, a testament to clothing and fashion that lasts a lifetime.
We have lost touch with this age-old tradition but it is vitally important that we revive it. By investing in your wardrobe and mending your clothing, you are ensuring that you can wear the pieces for longer, slowing down how much you consume and making sure that less goes to waste. Fundamentally, mending is a radical act of care in a fast fashion system that thrives on carelessness.
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Sustainable Fashion Week UK’s #MendItMay campaign was started on the back of the findings from behaviour change research conducted by students at the University of West England. The campaign is all about encouraging people to mend the clothes that they have, rather than buy new. Throughout the month of May, people are encouraged to share their mending projects on TikTok, inspiring others to reconsider their clothes before they dispose of them. Taking part and mending is not only good for your purse and the planet, it’s also a great mindfulness activity; find a moment of peace, disconnect from distractions and get creative.
Below, we’ve rounded up some of our favourite mending projects and collated a list of resources to help you get inspired and take part…
@sustainablefashionweek Fix your broken button with us!!! #menditmay is all about upcycling and repairing your clothes instead of throwing them away! Fixing a button takes 5 minutes and avoids discarding clothes 🌼 #sustainablefashion #fyp #repair ♬ Sleepy – Gui
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Our Loved Clothes Last pinterest board is full of mending inspiration, sewing tutorials and clothing care advice
Check out our #LovedClothesLast playlist on the Fashion Revolution Youtube channel
Try out Remake’s 5 easy stitch fixes
Read this beginner’s guide to mending your jeans
Learn how to darn a hole in sweaters and socks
Get involved in Sustainable Fashion Week UK’s #MendItMay campaign on TikTok
Five things fashion history can teach us about clothing longevity
Care, repair and rewear to transform the fashion industry
Fashion Craft Revolution fanzine
Exploring the link between the trend of Dopamine Dressing and our Loved Clothes Last movement.
Introduced as one of the biggest trends for 2022, “Dopamine Dressing” has been seen everywhere, invigorating the SS22 catwalks and dominating the streets during Fashion Week. Propelled by a desire for positivity and better well-being after the pandemic, dopamine dressing involves dressing with intention to boost your mood and bring joy, defined by vibrant colours and cheerful patterns. But it is nothing new to suggest that fashion has the power to brighten your day; it is well known that colours, styles, and textures all have psychological associations and can often be tied to memories, creating a connection between our outfits and our state of mind.
Clothing is connected to happiness for a lot of people. This is why retail therapy is so prolific and the fast fashion model of constant new-ness has dominated our consumption habits. The growth of fast fashion and material obsession within our society has created the illusion that to be fashionable is to be excessive, and that in order to be satisfied, we need to keep pace with the rapidly changing trends. However, constantly buying new products leaves us disempowered; physical goods cannot truly satisfy our emotional needs.
When people go shopping, consumption is not driven by a desire for more material goods but from an attempt to satisfy our needs. With each new item comes a novel experience, a burst of dopamine and a rush of excitement; but the crash afterwards hits harder. Fashion connects us with our emotional expression, and clothes can foster our needs for affection, identity, and creation. If these needs are being met by impulse buys and short-lived satisfaction, we become stuck in the endless cycle of shopping, desperate for the next hit of happiness.
We know that this excessive consumption is damaging to our planet and has enormous negative social impacts. Yet the cycle persists, creating with it a mountain of waste and un-loved clothes. A survey carried out by WRAP found that, in the UK, 26% of consumers reported that the reason behind the last item of clothing they threw away was because they simply didn’t like it anymore. We deem clothing to be disposable due to its low cost. We buy, we wear, we rip, we throw away. Many of us no longer feel motivated to value the things we buy, even less so to repair them when they start to fall apart. To break this pattern and transform the current industry, it is vital that we reevaluate our relationship with fashion. When it comes to shopping for and wearing clothes, our actions can change everything.
When envisioning a system in which quality is valued over quantity, understanding the value and emotional significance that fashion brings to people becomes crucial. Everyone is connected to the clothes they wear; it’s why we all have garments hanging at the back of our wardrobes that we haven’t worn in years but just can’t part with. But we shouldn’t over look the clothes we wear everyday either.
In her thesis, Stories Clothes Tell: Investigating Clothing as Objects of Love, Isabel Mundigo-Moore looks to the mundane as a place to create space for alternative narratives, challenging people to view worn clothing as objects of love and embrace the radical power of finding love stories in everyday dress, a sentiment echoed by our Loved Clothes Last campaign. To truly cherish the clothing we collect, we need to nurture a deep understanding of our connection to fashion, looking beyond the superficial and materialistic to see the layers of life events, people, feelings, and memories that lie within our clothes. By doing so, we can begin to create more meaningful, lasting connections with fashion.
While the current trend of “dopamine dressing” is characterised by its rainbow hues and clashing prints, the sentiment behind the style is much more diverse. Within colour psychology, there are strong connections between certain shades and their mood-boosting qualities; the enduring association of happiness with the colour yellow is a prime example. But what feels good to one person won’t necessarily feel the same for another. This is because we all have our own symbolic associations with colours, styles and textures, based our own lived experiences and unique psychological make-up. We’ve all felt that rush of confidence when we put on our favourite clothes, even if the colours are muted and the design simple.
Ultimately, “dopamine dressing” isn’t anything new, it is simply the natural result of good clothes, of having a strong sense of personal style and dressing in alignment with yourself and your values. Question why you feel compelled to shop, and try to identify the signs you are buying something impulsively. We have to become more mindful of our shopping habits and consider the future of our garments. To truly create a positive relationship with fashion, it is essential that we find value within the beautiful stories behind our clothes.
Care, Rewear & Repair to Transform the Fashion System by The Restory
The Rise of Generation Conscious by Victoria Prew
D. Soron, 2010 – Sustainability, self-identity and the sociology of consumption
WRAP, 2016 – Measuring the active life of clothing
Fashion Revolution – Loved Clothes Last Zine
Williams D., N. Baldwin, and K. Fletcher. 2009 – Center for sustainable fashion: tactics for change
I. Mundigo-Moore – Stories Clothes Tell: Investigating Clothing as Objects of Love
A. Maldonado, 2021 – What is Dopamine Dressing?
Header Image / Designer: Joao Maraschin / Photographer: Laura Aguilera